A colorful abstract painting of a woman with blonde hair, partly obscured by bold, intersecting brushstrokes and a vivid background.

Don’t Let It Bring You Down, It’s Only Castles Burning (For Neil Young) III

€1,500

Abstract painting of a person with blonde hair, partially obscured by colorful, overlapping brushstrokes on a pastel blue background.

Julian Schnabel

Don’t Let It Bring You Down, It’s Only Castles Burning (For Neil Young) III

€1,500
Limited edition of 200Shipping est. 22 Feb – 1 Mar
Artwork
Composition #1
Composition #2
Composition #3

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Minimum 20 available by draw

Julian Schnabel releases a new trio of limited edition silkscreen prints drawn from his celebrated Big Girl Paintings.

As with all the works in this series, Don’t Let It Bring You Down, It’s Only Castles Burning (For Neil Young) III is an enigmatic portrait characterised by the striking absence of eyes. By removing the subject’s gaze, the artist shifts the viewer’s attention away from expression and towards the composition itself. Originally created on a monumental scale of between seven and thirteen feet, Schnabel has revisited this figure several times over the past few decades. Widely exhibited, with features in the Gagosian Gallery and the Brant Foundation, the Big Girl Paintings are among Schnabel’s most recognised bodies of work. 

A 25-layer limited edition silkscreen, this piece is one of three interconnected works in our latest collaboration with the artist – and marks the first ever translation of the Big Girl Paintings into prints on paper.


julian schnabel wearing white overalls, holding a can of white paint and a brush
Julian Schnabel4 collaborationsJulian Schnabel’s far-reaching practice spans painting, sculpture and film. Use of material throughout is expansive and mutable. Wood, velvet, linoleum, army tarpaulins and animal hides all act as sculptural surfaces – layered with mediums such as wax, car bondo and resin. Similarly, recovered postcards, old x-rays and found images become grounds for new paintings. The artist’s Plate Paintings began in the 1970s and continue today. To create them he breaks plates. Reassembles them. Then paints over the top. They arrive as portraits and landscapes – sometimes abstract, often allegorical. Self Portraits of Others (2021) at New York’s Brant Foundation examined the theme of portraiture throughout history with 25 new Plate Paintings based on emblematic works by the likes of Caravaggio, Velasquez, Vincent van Gogh and Frida Kahlo.

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Reviews from Avant collectors

  • The print itself is of the highest quality and above expectations. The packaging also is of the highest level.

  • I am so happy with my purchase, and really all the work that Avant Art is doing to connect real people with artists. thank you!

  • Fantastic work, fantastic customer experience

  • communication from start to finish has been very informative, quick and helpful. I am happy with the professional way in which the piece has been packaged and shipped, protected to a high degree. Thank you to everyone involved.

  • first class experience from start to finish. really impressed with the work and with the Avant Arte process. 💯

  • The monent I opened the box I was pose struck. I’m headspinning beyond happy with this piece of artwork! This piece pops like bubble gum and a great addition to my other pieces by the artist. Great communication and packaging from AA!

  • You are the best in the business and the nicest people to do business with. Thank you!!

  • From start to finish, the process of purchasing, claiming the NFT counterpart, and receiving the framed piece was nothing short of excellent. My entire experience with Avant Arte displayed a level of professionalism and excellence across the board. Well done!


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