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Time-limited edition
La Maison de Monet - Edition of 206 / Portrait of Qusuquzah #8 - Edition of 99
Artwork
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Mickalene Thomas brings together two defining strands of her practice in a limited edition print set.
This pairing unites La Maison de Monet (2022) – an architectural composition where home and garden blur into ever-shifting spaces – with Portrait of Qusuquzah #8 (2008), a signature portrait that captures unapologetic complexity and layered identity. Together, they showcase the range and visual richness that have established Thomas as one of contemporary art's most distinctive voices.
Each print is crafted with an intricate silkscreen process, featuring metallic shimmer layers alongside gloss and matte varnishes that preserve the complexity of Thomas's celebrated mixed-media aesthetic.
Dimensions
Portrait of Qusuquzah #8:
Unframed: 65cm (H) × 53.2cm (W)
Framed: 72.4cm (H) × 60.6cm (W) × 3cm (D)
La Maison de Monet:
Unframed: 41.6cm (H) × 70cm (W)
Framed: 49cm (H) × 77.4cm (W) × 3cm (D)
Medium
Archival pigment print on 410gsm Somerset Tub Sized Radiant White paper with 6 - 10 silkscreen layers, including metallic shimmer layers, gloss varnish and a matte varnish seal.
Authentication
Signed by the artist. Individually numbered.
Certificate of Authenticity
Arrives with a certificate of authenticity.Release date
March 17, 2026Prints can be ordered float-mounted in one of three framing options:
Learn more about our bespoke framing studio
We ship framed and unframed prints in bespoke boxes. The boxes are specially designed to ensure safe arrival, and you'll find gloves and handling instructions inside. If you order more than one unframed print, your artworks may be shipped in the same box.
Payment
Pay with bank card, crypto, Apple Pay or Google Pay. If you wish you to use an alternative payment method, get in touch.
Policies
This artwork is protected by a resale agreement, which all collectors will need to sign before placing an order. More details in our FAQs
Mickalene Thomas10 collaborationsMickalene Thomas set out to change the face of art history, and that's exactly what she did. In her loud but tender multimedia portraits, Black femme power, beauty and desire take centre stage. Whether it's the artist herself, her mother, a lover, a friend or a public figure like Michelle Obama, each woman tells her own story. In Thomas' words: "The gaze of my work is unapologetically a Black woman's gaze loving other Black women."¹ This deep sense of adoration and respect comes through in all of her art – not just her portraits but her interiors and photography too. The bright Pop Art-esque blend of photography, collage, paint and craft shop materials like rhinestones has a celebratory feel designed to uplift and empower the next generation. "For me, it's all about trying to inspire and make young girls, when they walk into a space like [a museum], feel a sense of themselves. They see that they're represented."
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