Lee Ufan is the multidisciplinary master that revolutionised East Asian art in the mid-20th century. His conceptually-rich but visually-restrained practice might look like the minimalism that arose concurrently in the west, but it has very different foundations. Lee studied painting in Seoul for only a few months in 1956 before moving to Japan to study philosophy instead. Nonetheless, by the mid-70s he was a leading figure in Dansaekhwa – Korean monochrome painting. The celebrated From Line and From Point series were influenced by calligraphy exercises he practised as a child. The meditative repetition of lines and dots requires complete command of mind, body, and brush.