mpkoz

Mecha

€3,000

Edition of 50

Each unique print is paired with an NFT of the same artwork, and will be allocated at random. Claiming instructions will be shared after purchase. 40 works will be reserved for mpkoz token holders in a presale and all remaining works will be available via the public draw. mpkoz token holders can verify here to register for the presale.

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Generative expressionism meets hyper-textured printmaking in a new series by Michael Kozlowski (mpkoz).

Written entirely in GLSL and JavaScript, Mecha is centred on synthesised texture - procedurally, thematically and physically. It represents the final evolution of a photoreal painting algorithm mpkoz started developing two years ago.

“The narrative behind Mecha is an exercise in maximalism. I wanted to push my technical skills, the complexity of the outputs, and the technology used to print them, to their limit.”

In doing so, Mecha became a visual reflection of this process: a series of complex, tactile compositions each replicating physicality, consistency, light and shadow to an uncanny level. It is the first body of work that mpkoz has created in which the technical processes used to create the artwork directly influence the visual composition of the outputs.

This narrative of maximalism extends into the printing process. The artist worked closely with the printmakers at Make-Ready in London for over a year, perfecting a cutting-edge technique to physically reproduce the simulated depth of Mecha’s outputs.

Each artwork is printed with up to 31 layers of UV-cured ink on an aluminium plate – resulting in a variable build-up of texture, highlighting the level of detail present in the algorithmic outputs and bringing them to life in a way that simply isn’t possible on a digital display.

Behind the scenes

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mpkoz

Collaboration coming soon

Michael Kozlowski is a media artist primarily interested in generative systems and mixed reality. In his work, he incorporates elements and techniques from the past into the bounds and capabilities that mediums like generative and immersive art provide. “As digital technology becomes more prevalent, traditional two-dimensional media will concede its monopoly on our experience and consumption of art and other imagery,” Michael states. “I am interested in this middle ground, the transition of media as it crosses from two to three dimensions, from paint on canvas to pixels on a display or 3D meshes in a simulation, and how either side of the spectrum can build upon and improve the other.”

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Reviews from Avant collectors

Amazing job on the framing and shipping.
Review of Untitled
I’m really happy to add this piece to my collection. It’s always a pleasure working with you — thank you for making everything so smooth. Looking forward to hearing about more great works!
Review of Untitled
communication from start to finish has been very informative, quick and helpful. I am happy with the professional way in which the piece has been packaged and shipped, protected to a high degree. Thank you to everyone involved.
Review of Something Forbidden (Blue)
The monent I opened the box I was pose struck. I’m headspinning beyond happy with this piece of artwork! This piece pops like bubble gum and a great addition to my other pieces by the artist. Great communication and packaging from AA!
Review of B BOY JUSHI
I am extremely pleased with both the packaging and delivery of the piece. Your attention to detail in handling and packaging surpasses that of many galleries. Your commitment to respecting the artwork is truly commendable. Excellent job!
Review of Untitled
what an amazing experience from top to bottom. The best communication, print quality and packing. This is my first time purchasing from you and I look forward to my next purchase.
Review of Prismatic Head Composition
Very happy with the print, shipping, and framing.
Review of HOPE (251-375)
The piece looks great and we love having it in our home and added to our collection! Thanks so much...
Review of Out of the Dark

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