Alex Katz, “Art School”, 1951-1952
Alex Katz, “Ada”, 1957
Alex Katz, “Green Scarf”, 1975
Alex Katz, “Paul Taylor Dance Company”, 1963-1964
Alex Katz, “Day Lily”, 1969
Black and white photograph of Alex Katz at his studio, 1964
Alex Katz, “Blue Umbrella 2”, 2020
Alex Katz, “Red Coat”, 1983
Alex Katz, “Reflection”, 2018
Alex Katz, “Black Hat (Alex)”, 2010
Alex Katz, “Iris”, 2019
Black and white photograph of Alex Katz, smiling, wearing a dark suit and white dress shirt, and standing in front of a painting, 2010

Ten Decades
of Alex Katz

Alex Katz has spent nearly a century painting – beginning amid Abstract Expressionism and later developing the bold, flat style that anticipated Pop Art. Since 1951, his work has been featured in more than 200 solo exhibitions and 500 group shows. This timeline charts some of the milestones, transformations and the immense impact of his remarkable journey as an artist.

Scroll
1920

BorninBrooklyn,NewYork

Alex Katz is born to Russian Jewish parents who move to the residential neighbourhood of St. Albans, Queens, at the outset of the Great Depression in 1928. His mother, fluent in six languages, encourages him to recite poetry from a young age. He covers the family stairwell with crayon drawings and, in second grade, wins a citywide drawing competition.

Alex Katz, “Man with Newspaper on the Subway”, c. 1940s
Alex Katz, “Two Men”, c. 1940s
1940
1940

StudiesattheCooperUnion,NewYork

In the aftermath of WWII, Katz attends The Cooper Union in Lower Manhattan, where he discovers his talent for painting. In 1949, he receives a scholarship to the Skowhegan School of Painting & Sculpture in Maine. His tutors encourage him to paint from life, giving him, as he puts it, “a reason to devote my life to painting”.

1950

Makeshisfirstpaintedcutout&doubleportrait,Ada Ada

Details of the Alex Katz's “Double Portrait”, 1959
Alex Katz, “Ada Ada”, 1959

In 1957, Katz meets biologist Ada Del Moro and marries her just three months later. In 1959, he creates his first cutout and double portrait, Ada Ada, the first of more than 250 portraits of his wife and muse over his career. Its bold, graphic style anticipates Pop Art, establishing Katz as a key precursor to the movement.

https://images.avantarte.org/media/33CLPM7XKii7ZZSi3GJKJMwpboA
https://images.avantarte.org/media/33CLPJ8P61vQkNnOM2VU5QAfhUb
https://images.avantarte.org/media/33CLPGPsssW1uA3NKwf8aXvzKSM
https://images.avantarte.org/media/33CLPH8VUKi56VNQ3WzarqX70Nq
https://images.avantarte.org/media/33CLPHphjVWg2uTwDU1nvEbvWU0
1960

Completeshisvery firstsilkscreen,Luna Park 1

Although Katz experiments with drypoint, linoleum and woodblock printing before this, Luna Park 1 marks the beginning of his mature printmaking practice – with its flat colouring and hard-edged composition going on to characterise his printmaking career for decades to come.

Alex Katz, “Luna Park 1”, 1965
Alex Katz, “Beach House”
Alex Katz, “Blueberry Field”, 1968
Alex Katz, “Orange Interior”, 1968
Alex Katz, Grey Interior”, 1968
Alex Katz, “Poppy”, 1967
Alex Katz, “Day Lily 2”, 1969
Alex Katz, “Day Lily”, 1969
Alex Katz, “White Petunia”, 1969
1970

TakesoverNew York’sTimes Square

Katz transforms Times Square with a 247-foot-long, 20-foot-high billboard consisting of a frieze composed of 23 portrait heads of women, based on studies of nine distinct sitters painted from life. Three months of preliminary work go into the project, and the physical painting is created by sign painters, primarily painter Jerry Johnson, who, under Katz’s supervision, paints wet paint into wet paint, just as Katz does in his studio.

Alex Katz, “Nine Women”, 1977 in Times Square
Alex Katz, “Nine Women”, 1977 in Times Square
Alex Katz, “Nine Women”, 1977 in Times Square
Excerpt from the film “Alex Katz: What About Style?”
Play video
Details of Alex Katz's “Red Coat”, 1983
1980
Poster for the exhibition “Alex Katz” at the Whitney Museum of American Art, New York, 1986

SurveytheWhitneyofAmericanArt

Katz presents a focused survey at one of the world’s most prestigious museums. During the process, he realises he wants to push his work in new directions, retrospectively stating: “I wanted to move to a place in art that was unstable and terrifying”. This renewed sense of urgency inspires him to begin his seminal series of night paintings.

https://images.avantarte.org/media/33EV6II2f4RlmwPH5qmwfLLNYeo
https://images.avantarte.org/media/33EV6GSQV89rO5nNZZ3jfmCZ4ax
https://images.avantarte.org/media/33EV6KySVadr5Qtz9h5ABL36Hzo
https://images.avantarte.org/media/33EVGX0wkgtTjGB3Eb0ttlkVSKw
https://images.avantarte.org/media/33EV6K6Fo2Ur5OsM8uCZfCJG3v7
1990

CreatesAlexAdaprintSeries

Katz creates an eight-print suite of silkscreens – Alex and Ada, the 1960s to the 1980s – a vivid, two-decade portrait of his marriage to Ada, his wife and most enduring muse. The editions distil his billboard-flat colour and cinematic crops into print, with works like White Hat and Ada with Sunglasses now among his most recognisable images.

Alex Katz, “Orange Hat”, 1990
Alex Katz, “Alex Katz, Self-Portrait (Passing)”, 1990
Alex Katz, “Grey Ribbon”, 1990
Alex Katz, “Green Jacket”, 1990
Alex Katz, “Sweatshirt 2”, 1990
Alex Katz, “Ada with Sunglasses”, 1990
Alex Katz, “Ada in Hat”, 1990
Alex Katz, “Ada in White Hat”, 1990
2000

EstablishesKatzFoundation

Katz sets up this initiative to champion artistic excellence, support artists and enhance access to contemporary art. The foundation pioneers a unique philanthropic model, purchasing works from mid-career and emerging artists and donating them directly to institutions. To date, the Alex Katz Foundation has donated more than 700 works and millions of dollars to various arts organisations.

2010

decadeofimmersive,monumentallandscapes

By 2010, Katz is actively painting tightly cropped, monumental landscapes that explore light and the atmospherics of nature – Reflection with Lilies 2 is a notable example.

In 2015, the exhibition Alex Katz. This Is Now opens at the Guggenheim Museum Bilbao, surveying 25 years of his landscape work and featuring 35 pieces that employ a “grammar of abstraction” to convey what he calls “the present tense” – an explosive “flash” just before an image comes into focus.

During this period, he also experiments with iPhone photography, producing striking, abstracted compositions that signal a significant evolution in his visual approach and engagement with our changing digital world.

Alex Katz, “Four Polars”, 2019
Alex Katz, “Reflection with Lilies 2”, 2010
Alex Katz, “Homage to Monet”, 2009-2010

Katz’smajorretrospectiveopensattheGuggenheim

In October 2022, Alex Katz’s major retrospective at the Guggenheim opens, featuring 75 large canvases and 79 smaller works. Curated by Katherine Brinson, Alex Katz: Gathering cements the artist’s enduring influence across nearly a century of painting.

Film created on the occasion of “Alex Katz: Gathering,” Solomon R. Guggenheim Museum, 2022-2023
Play video
A view of the “Alex Katz: Gathering,” exhibition at the Solomon R. Guggenheim Museum, 2022-2023
A view of the “Alex Katz: Gathering,” exhibition at the Solomon R. Guggenheim Museum, 2022-2023
A view of the “Alex Katz: Gathering,” exhibition at the Solomon R. Guggenheim Museum, 2022-2023
Black and white photograph of Alex Katz, 1950
Black and white photograph of Alex Katz, smiling, wearing a dark suit and white dress shirt, and standing in front of a painting, 2010

Credits

All artwork images ©2025 Alex Katz, Artists Rights Society (ARS), NY, unless otherwise noted. Archive images of Alex Katz are sourced from Alex Katz (Electra Rizzoli NY, 2020), © 2020 Alex Katz.

The 1946-1949 section includes subway drawings courtesy of Alex Katz, VAGA, New York, NY / DACS, London, courtesy of Timothy Taylor, sourced from Vogue. Archive image courtesy of the Whitney Museum of American Art, New York; gift of Alex Katz, © Rudy Burckhardt / Artists Rights Society (ARS), New York. The painting Art School by Alex Katz is © Alex Katz, VAGA at Artists Rights Society (ARS), NY, gift of the artist. Additional archive images are credited to Fred W. McDarrah, Ada and Alex Katz, April 6, 1961, Smithsonian Archives of American Art. The 1977 section features a video excerpt from Alex Katz: What About Style?, credit Heinz Peter Schwerfel, with archive images credited to Chuck DeLaney. The 1986 section includes an article by Emily Tobias, Vassar Newspaper & Magazine Archive, Miscellany News, Volume LXXVI, Number 8, April 4, 1986.

Final film credit to The Guggenheim, New York. The video was created on the occasion of Alex Katz: Gathering, Solomon R. Guggenheim Museum, October 21, 2022–February 20, 2023. Installation images © Solomon R. Guggenheim Foundation, New York, photographed by Ariel Ione Williams and Midge Wattles.

Archive portraits are courtesy of the artist’s studio: Alex Katz in New York City, 1956; Portrait of Alex Katz, 2011, photographed by Vivien Bittencourt; and Alex in Maine 1, 2021, photographed by Isaac Katz.

Follow us

Avant Arte exists to make discovering and owning art radically more accessible. We collaborate with artists worldwide to put their work in new places and introduce them to the next generation of collectors.